Making the case for the significance of experimental motion pictures

Undulating water patterns; designs etched or painted directly onto clear or black film leader; computer-generated, pulsating, multihued light tapestries—the visual images that often constitute experimental motion pictures are unlike anything found in either fictive narratives or documentary works. Thus, Direct Theory provides an historical and theoretical survey of this overlooked and misunderstood body of international films, videos, and digital productions that offers a strong case for the understanding of experimental motion pictures as a separate, major motion picture genre.

In a radical revision of film-theory that incorporates Ferdinand de Saussure's semiotic system, and adds to it historian Raymond Fielding’s technological determinism, Edward S. Small and Timothy W. Johnson argue that experimental moviemaking constitutes a special mode of theory that bypasses written and spoken words. By exploring the development of experimental motion pictures over nine decades, they trace the practice from its beginnings in the European avant-garde movement in the 1920s, through American underground productions, into international structuralist works that marked the experimental films of the 1970’s, and finally the digital experimental innovations of the twenty-first century.   

To demonstrate that the aesthetic of experimental motion pictures is best understood separately from other major film genres such as fictive narrative and documentary, Small and Johnson highlight eight defining technical and structural characteristics of experimental productions, including the autonomy of the artist, economic independence, brevity, and the use of dreams, reveries, hallucinations, and other mental imagery. They also highlight a number of films, including Ralph Steiner’s 1929 H2Oand Bruce Conner’s 1958 A Movie,and provide a sampling of frames from them to demonstrate that the heightened reflexivity of these films  transmit meaning through images rather than words. 

A deft historical interweaving of experimental production and scholarly discourse, this thought-provoking work firmly establishes the importance of experimental motion pictures in the discipline of film studies (theory and history) and production.

The remarkable military career of General Winfield Scott spanned fifty-three years, fourteen presidents, and six wars, both foreign and domestic. However, his lengthy service did not secure his rightful place among the nation’s pantheon of great military leaders. Instead, he is most often remembered as the aged, overweight, and sickly commanding general who was replaced by George McClellan at the beginning of the Civil War. Originally published in 1864, only two years before his death, Scott’s memoirs touch on many of the significant events of the early and mid-nineteenth century. This new edition of those remembrances, expertly edited by Timothy D. Johnson, showcases Scott’s rare strategic insights, battlefield prowess, and diplomatic shrewdness, restoring him to his proper place as arguably the most important American general to ever serve his country.

Scott joined the army in 1808, earned the rank of brigadier general in 1814, and was promoted to commanding general in 1841. During the Mexican-American War, he commanded one of the most brilliant military campaigns in American history and mentored the generation of officers who fought the Civil War, including Generals Grant, Lee, Longstreet, Beauregard, Jackson, and Meade. As a young general, he wrote the first comprehensive set of regulations to govern the army and pushed for the professionalization of the U.S. officer corps. Yet, he was ridiculed at the beginning of the war for his prescient prediction that the Civil War would be a prolonged conflict requiring extensive planning and superior strategic thinking.

With this edition, Johnson has merged Scott’s large two-volume memoir into a single, manageable volume without losing any of the original 1864 text. Extensive new annotations update Scott’s outdated notes and provide valuable illumination and context. Covering a wide range of events—from the famous 1804 duel between Aaron Burr and Alexander Hamilton through the end of the Civil War—Scott’s extraordinary account reveals the general as a sometimes
egocentric but always astute witness to the early American republic.

Timothy D. Johnson, professor of history at Lipscomb University in Nashville, is the author of Winfield Scott: The Quest for Military Glory and A Gallant Little Army: The Mexico City Campaign. He is coeditor, with Nathaniel Cheairs Hughes Jr., of A Fighter from Way Back: The Mexican War Diary of Lt. Daniel Harvey Hill and Notes of the Mexican War by J. Jacob Oswandel.

 

In December 1846, John Jacob Oswandel—or Jake as he was often called—enlisted in the Monroe Guards, which later became Company C of the First Pennsylvania Volunteer Regiment. Thus began a twenty-month journey that led Oswandel from rural Pennsylvania through the American South, onward to the siege of Veracruz, and finally deep into the heart of Mexico. Waging war with Mexico ultimately realized President James K. Polk’s long-term goal of westward expansion all the way to the Pacific Ocean. For General Winfield Scott, the victorious Mexico City campaign would prove his crowning achievement in a fifty-three-year military career, but for Oswandel the “grand adventure of our lives” was about patriotism and honor in a war that turned this twenty-something bowsman into a soldier.

Notes of the Mexican War, 1846–1848, is the quintessential primary source on the Mexican War. From Oswandel’s time of enlistment in Pennsylvania to his discharge in July of 1848, he kept a daily record of events, often with the perception and intuition worthy of a highly ranked officer. In addition to Oswandel’s engaging narrative, Timothy D. Johnson and Nathaniel Cheairs Hughes, Jr. provide an introduction that places Oswandel’s memoir within present-day scholarship. They illuminate the mindset of Oswandel and his comrades, who viewed the war with Mexico in terms of Manifest Destiny and they give insight into Oswandel’s historically common belief in Anglo-Saxon superiority—views that would bring about far worse consequences at the outbreak of the American Civil War a dozen years later.

As historians continue to highlight the controversial actions of the Polk administration and the expansionist impulse that led to the conflict, Notes of the Mexican War, 1846–1848, opens a window into the past when typical young men rallied to a cause they believed was just and ordained. Oswandel provides an eyewitness account of an important chapter in America’s history.